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DaVinci Resolve DaVinci Resolve 18 プロジェクト設定 MrAlexTechSeamless トランジションパック ファイル名 MrAlexTechSeamless MrAlexTechSeamless説明 D \Program\Blackmagic Design\DaVinci Resolve OpenCL 01 .dll After Effects Free 素材 [After Effects Free 素材 https //www.premiumbeat.com/blog/category/after-effects/] 単色背景を作りたい！２パターン紹介 https //start-fromscratch.com/blog/davinciresolve-background/ 動画編集 1回 メディアページ編 https //tokyohappendix.com/editing-tips/dr_mediapage DaVinci Resolve 16 データベースの保存場所 https //furutao.com/blog/2019/11/24/davinci-resolve-01-where-db-files/ DaVinci Resolve17のプロジェクトの保存先 https //oiuy.net/archives/9719 DaVinci Resolveのプロジェクトファイルの保存先 https //sumizoon.hatenablog.com/entry/2019/06/11/200601 DaVinci Resolveでプロジェクトファイルを受け渡す2つの方法 https //vook.vc/n/2149 DaVinci Resolve 無償で高機能な動画編集ソフトについて https //www.pc-koubou.jp/magazine/37640 OBSのシーントランジション設定でカッコよく画面を切り替える方法 https //shifa-channel.com/obs-transition/ Streamlabs OBSでソースを追加・編集して、画面を映す方法 https //vip-jikkyo.net/slobs-sources トランジション素材を自作して設定する方法。スティンガーに透過付き動画を登録して配信演出を付けよう https //arutora.com/21798 DaVinci ResolveをめぐるトラブルシューティングFAQまとめ https //vook.vc/n/1697 【Davinci Resolve 16】対応ファイル形式一覧！読み込めないファイルはどうすれば？ https //aketama.work/dr16-file-type AllTemplates shared by sean ファイル https //www.mediafire.com/folder/0wh5oa8ll1b2c/AllTemplates お荷物のサイズとお届け先の都道府県 https //form.008008.jp/mitumori/PKZI0100Action_doSearch.action 白色のペンキ ターナー色彩 アクリル絵具 ミルクペイント スノーホワイト ニスが塗ってある机に対する接着剤 ターナー色彩 メディウム ミルクペイント マルチプライマー 200ml 仕上げ用のニス 和信ペイント 水性ウレタンニス 屋内木部用 高品質・高耐久・食品衛生法適合 透明クリヤー 130ml コテバケ ハンディ・クラウン INNOVA ワンタッチコテバケ セット 150 osu!をインストールしてプレイするまでの手順（導入方法） http //game2ji.com/osu-install/ ナレッジベース https //osu.ppy.sh/wiki/ja/Installation Aeron Chairs ハーマンミラーストア 編集の概要 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-Introduction-to-Editing.zip 技術 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-The-Art-of-Color-Grading.zip Mini Panel https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-DaVinci-Resolve-Mini-Panel.zip グラフィック https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-and-Graphics.zip Fusionの3D VFX https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-in-3D.zip オーディオ制作 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-1.zip Fairlightのオーディオ制作 href="https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-2.zip メディアの管理 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Managing-Media.zip コンテンツの書き出し https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Delivering-Content.zip LUTSダウンロード https //www.colorgradingcentral.com/free-luts-download-davinci/ あなたの動画をシネマ風に！ 無料のLUT をまとめて129選ご紹介します https //www.shutterstock.com/ja/blog/129-free-cinematic-luts 1 2 3 4 5 6 7 8 動画説明 DaVinci Resolve トランジションを追加できない時の対処法 DaVinci Resolve トランジションを追加できない時の対処法 About DaVinci Resolve 18 The free DaVinci Resolve 18 includes all of the same high quality processing as DaVinci Resolve 18 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 18 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro. If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools and remote rendering, please upgrade to DaVinci Resolve 18 Studio. We hope you do decide to upgrade as your facility grows and you do more advanced work! Important information regarding project library management DaVinci Resolve 18 requires a project library upgrade from DaVinci Resolve 17.4.6 and previous versions. We strongly recommend that you backup your existing (disk based and PostgreSQL based) project libraries before performing an upgrade. What's new in DaVinci Resolve 18 Features marked with * are in progress and may change before the final release. Key Features • Blackmagic Cloud to host and manage cloud-based project libraries. • Collaborate securely over the internet using Blackmagic ID. • Upload and review on Presentations with synced markers and comments.* • Support for intelligent path mapping to relink files automatically. • Vastly improved project library performance for network workflows. • Improved project performance, especially when working with large projects. • New Proxy Generator app for auto-creating proxies within watch folders. • Ability to choose between prioritizing proxies or camera originals. • Proxy files in subfolders are automatically assigned in the media pool. Media Edit • Support for reversing shape, iris and wipe transitions in the edit page. • New subtitle improvements including - Support for timed text TTML, XML and embedded MXF/IMF subtitles. - Ability to view and import subtitles from media storage. - Support for relinking subtitle clips from the media pool. - Subtitle region support with multiple simultaneous captions per track. - Set individual presets, text positions and intuitively edit between regions. - Add, rename and manage regions from the timeline context menu. - Ability to import, export and embed multiple subtitle tracks as TTML. • Support for showing up to 25 simultaneous multicam angles on the viewer. • Edit Index now shows clip duration. • Ability to navigate keyframes outside trimmed clip extents. • Ability to navigate retime keyframes using hotkeys. • Smart bin filter for disabled timelines. • Render in place and open in Fusion actions can be assigned shortcuts. • Reset Fusion composition now works on multiple clip selections. Color • New object mask capability in Magic Mask. • Adjustment clips and Fusion generators can bypass color management. • Support for syncing clip groups in remote grading sessions. • Ability to trigger bidirectional tracking from advanced and mini panels. • Support for matte finesse and 3D qualifier in advanced and mini panels. • Dolby Vision highlight clipping support in advanced panels. • Support for bypassing color outputs from advanced panels. • Add key mixers with auto-connected key outs from advanced panels. • ACES support for Blackmagic Gen 5 camera formats. • Support for the HDR Vivid standard. • Reference gamut compression enabled by default in ACES 1.3. Resolve FX • New Resolve FX Depth Map to generate 3D depth based keys in Studio. • New Resolve FX Fast Noise. • New Resolve FX Despill. • New Resolve FX Surface Tracker for tracking warped surfaces in Studio. • Improved Resolve FX Beauty with new ultra mode. • Improved edge strength and filter controls in Resolve FX Edge Detection. • Option to composite from a second input in Resolve FX Transform. • New bokeh preset for Resolve FX Lens Reflections. • Green-purple control for Resolve FX Chromatic Aberration. • Sizing awareness option in Resolve FX lens flare and radial zoom blurs. Fairlight • Ability to convert fixed bus projects to FlexBus in project settings. • Ability to freely order tracks and buses in the mixer via the track index. • Ability to nudge custom millisecond or sub-frame intervals in the timeline. • Improved quality for time stretched audio. • Improved Dolby Atmos immersive mixing, including binaural monitoring. • Native support for Dolby Atmos production for Linux and Apple silicon. • Independent controls to enable automation and expose parameters. • Improved behavior of automated tracks under VCA control. • Improved meters with configurable decay, peak hold and display modes. • Ability to ctrl-alt click to remove gain and elastic wave keyframes. • Ability to double click a clip in the timeline to rename. • Ability to set record clip name prefix at a per-track level. • Support for renaming underlying tracks when renaming a linked group. • Equalizers with improved Q controls and mouse wheel inputs. • Dynamics with enhanced metering, gain display and enable controls. • Dynamics with improved dry mix, soft knee and metering in FlexBus. • Improved plugin management with replace and copy settings in the mixer. • New built in presets for equalizers and dynamics. • Hold shift and double click clips to extend the edit selection range. • Support for applying audio gain on range selection. • Improved waveform display accuracy under crossfades. • Origination time metadata is now persisted when bouncing mix to track. • Option to trim from unity on the Fairlight Desktop Console. • Support for VCA and bus spill on the Fairlight Desktop Console. • Support for using the Fairlight Desktop Console on Linux systems. • Studio monitoring support for FlexBus on consoles. • Fairlight console option to mute speakers on timeline load. • Support for chasing timecode via Fairlight audio interfaces. • Support for user views in the Fairlight Desktop Console. • Improved mapping for audio effects on the Audio Editor panel. • Ability to use alt + solo to invoke solo safe in the Audio Editor panel. • Support for a new clear mutes action in the timeline menu. • Enabling track mixer controls brings window to focus if already open. • Grid and list modes are persisted for patch, bus and VCA assign. Fusion • Multi-button mode selection in inspector for multiple tools. • Support for all modern and future python 3 versions for scripting. • Support for live previews when using the Text+ color picker. • Multiple new composition blend modes. • New expression animated Custom Poly modifier for masks and strokes. • Faster GPU accelerated paint tool with smoother strokes. • Faster duplicate tool with additional blur, glow and size controls. • Improved fade-on and text ripple title performance. • Improved performance for night vision, glitch, TV and other effects. Codecs • Support for video uploads to internet accounts using custom presets. • Support for encoding mono and stereo MP3 audio. • New HyperDeck export preset in the Quick Export and deliver page. • Ability to render individual clips with timeline effects. • Ability to embed Blackmagic RAW metadata in QuickTime renders. • Custom quality and profile media management options where available. • Support for rendering Dolby Vision compatible H.265 clips. • Support for decoding CMYK format TIFF files. • Support for record date and time metadata for JPEG stills. • Alpha channel support in the IO Encode Plugin SDK. • Support for RED SDK 8.2.2. • New 1440p YouTube preset. • Render option to override ACES gamut compression for round trips. • Main10 is now the default H.265 encoding profile on Mac. General • Support for 10-bit viewers on Windows and Linux in Studio. • Stream video output to remote monitoring in Windows and Linux in Studio. • Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro. • Support for Korean localizations in DaVinci Resolve. • PostgreSQL 13 is now bundled with Project Server. • Support for desktop notifications for collaboration chat. • User preference to import Finder tags as clip keywords on Mac. • Support for importing and exporting Final Cut Pro v1.10 XMLs. • Ability to unlink Dropbox comment and marker sync for timelines. • Playback and render now prevents Mac systems from sleeping. • Support for per-system project working paths in collaboration and cloud. • Support for per-system render cache mode in collaboration and cloud. • Support for setting current project settings as default. • Scripting API support for creating Fusion compositions. • Scripting API support for exporting project archives. • Scripting API support to get and set timeline start timecode. • Scripting API support to detect stale media bins and refresh them. • Scripting API support for updating camera raw sidecar files. • General performance and stability improvements. Intelligent path mapping to relink files automatically DaVinci Resolve 18 has the ability to automatically map and manage paths between users and machines using cloud based project libraries. This ability is enabled by default in the project settings. Once the first user adds media to a project, every additional user or machine only needs to perform a relink to their shared copy of the media. DaVinci Resolve will automatically map these paths so that the media does not go offline for other users. Users can also manually manage shared locations between users and machines. In order to do this, the first user adds a shared media location to the project settings. This could be a shared cloud folder using a service such as Dropbox or Google Drive. Every additional user can then either just relink their footage, or open project settings and set their local path to that media location. New Proxy Generator app to auto-create proxies in watch folders DaVinci Resolve 18 includes a new Proxy Generator app. You can assign one or multiple watch folders to the Proxy Generator. The Proxy Generator app will scan and automatically generate QuickTime proxies with the selected codec in a Proxy subfolder. When importing media into DaVinci Resolve, any proxies found in these subfolders are automatically linked and assigned as proxies in the media pool. This happens even if the proxies are generated after importing the media to the media pool. Improved Proxy Handling DaVinci Resolve 18 allows the user ability to prefer proxies or prefer camera originals. Depending on the setting chosen in the Playback menu, the selected clip type will be prioritized if both proxies and originals are available. Resolve FX Depth Map for depth keying and grading Resolve FX Depth Map generates a depth alpha channel using the DaVinci Neural Engine, allowing you to separate backgrounds, isolate objects at specific depths and create fog, portrait mode and other distance effects. From the effects library in color page, you can apply Depth Map to a node, enable Depth Map Preview to view results, adjust limits, isolate specific depths and finesse results. You can also disable preview, enable OFX alpha and use the alpha output in subsequent nodes. Resolve FX Surface Tracker for tracking warped surfaces The new Resolve FX Surface Tracker in DaVinci Resolve Studio applies textures or effects to flexible and deformable moving surfaces. If the texture you would like to apply has transparency, you should drag the plugin as an FX node rather than apply it on a corrector node. • The bounds tab allows you to select/create a region where you would like to apply the texture. Additional bounds and holes can be added to define complex surfaces. • The mesh tab allows you to establish a mesh over the surface you would like to track. This acts as the starting point for the tracking. • The track tab is where the analysis is performed. You can adjust the motion range for fast-moving objects and the rigidity of the mesh. • The result tab allows you to control how you would like to use the warped surface for warping or compositing content. Improved Resolve FX Beauty with new ultra beauty mode. The ultra beauty mode, now the default setting for Resolve FX Beauty allows for stronger filtering and more natural results. This more powerful effect can even help with smoothing object surfaces, and even some compression artifacts. Convert fixed bus projects to FlexBus Older fixed bus projects can be converted to FlexBus projects by unchecking the use fixed bus mapping control in project settings under Fairlight. This action permanently converts the project's timelines to FlexBus and cannot be undone. Ordering tracks and buses from the track index You can now drag and drop tracks and buses to freely change order in the track index. This order will be reflected in the meters, mixers and the fader panels. You can choose between a single scrollable view or a split view with a fixed section, indicated by an adjustable split point. Configuring meters decay, peak hold and display modes. Fairlight meters now have a Digital VU mode with combined VU and Peak levels in FlexBus projects. From the Project Settings, under Fairlight, you can select IEC 60268-18, Digital VU, or define your own custom levels, scale and decay. Improved plugin management in the mixer You can now copy settings for pan, EQ, dynamics and third party plugins between tracks and buses in the mixer. This can be invoked in multiple ways • Context menus in the plugin dialog or in the mixer graphs of pan, EQ and dynamics. • Hotkeys Shift+Control+C Shift+Control+V (Shift+Command in Mac OS). • Mixer strip header context menus for full channel settings. Improved Python 3 Support The automatic detection of installed Python versions for scripting has been updated to check for default installations for Python 3.3 to 3.10 (and future versions). If set, the PYTHONHOME environment variable (or the explicit PYTHON3HOME and PYTHON2HOME if you have both installed) will be considered. To explicitly override the version used by DaVinci Resolve and Fusion Studio, you can set FUSION_Python3_Home (formerly FUSION_Python36_Home) to point to the base folder. Expression animated Custom Poly modifiers You can now quickly create and animate Fusion masks and strokes using custom poly modifiers. In addition to common expressions, the Custom Poly supports these functions and variables • (px,py) for the current point on the source poly. • disp for the point's displacement on the poly. • index and num for the current point's index (zero-based) and total number of points. • getx(disp), gety(disp) to access polyline values from specific displacements. - getx_at(disp,time), gety_at(disp,time) for displacements and times. - Use get2, get3 variations for additional inputs. • get[rgba][bdwm](x,y) to access image channels with optional black/duplicate/wrapped/mirrored results. Support for 10-bit viewers on Windows and Linux in Studio. In Preferences, under General, DaVinci Resolve Studio now allows enabling 10-bit precision in viewers in Windows and Linux. You will need a capable Nvidia or AMD graphics card, up to date drivers and a 10-bit capable display. Stream video output to remote monitoring in Windows and Linux in Studio. DaVinci Resolve Studio now supports the ability to stream your video monitoring output to a remote Blackmagic Design video monitoring device. This requires • A Windows and Linux Studio system with an Nvidia graphics card. • Remote Studio clients with a Blackmagic design monitoring device. • Windows and Linux clients need an Nvidia graphics card. On the streaming server, you can allow remote streaming connections in Davinci Resolve Preferences under General. By default, TCP port 16410 is used for streaming connections. On the client, go to the Applications folder on Mac or the Windows start menu to the DaVinci Resolve folder, and run the DaVinci Remote Monitoring application. Set the IP address of the server machine. Configure your DeckLink or UltraStudio card on the client machine and press start. The streaming server can now accept the incoming connection prompt and start streaming its monitoring output to remote clients. Currently, remote streaming reflects the cut, edit, color and deliver viewers. It streams stereo audio and does not show overlays or scopes on the client side. Mac OS clients are limited to 8-bit 4 2 0 video formats. Pre-Installation Notes • PostgreSQL 9.0 is the minimum supported version. • PostgreSQL 13 is the recommended version. • 10-bit viewers on Windows Linux needs a capable graphics card and display. Minimum system requirements • Windows 10 Creators Update. • 16 GB of system memory. 32 GB when using Fusion. • Blackmagic Design Desktop Video 10.4.1 or later. • Integrated GPU or discrete GPU with at least 2 GB of VRAM. • GPU which supports OpenCL 1.2 or CUDA 11. • NVIDIA/AMD/Intel GPU Driver version – as required by your GPU. Installing DaVinci Resolve software Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts. Migrating legacy Fairlight projects to DaVinci Resolve In order to import legacy Fairlight DR2 projects into DaVinci Resolve, download and install the following utility on your Windows system https //downloads.blackmagicdesign.com/DaVinciResolve/Fairlight-Project-Importer.zip After installing the utility, you should see an option to "Import Fairlight Project" in the Fairlight menu in DaVinci Resolve. Additional information Please refer to the latest DaVinci Resolve configuration guide for details on Windows support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support/. You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support/. © 2001-2022 Blackmagic Design Pty. Ltd. All rights reserved. Blackmagic Design, Blackmagic, DeckLink, Multibridge, Intensity, H.264 Pro Recorder and "Leading the creative video revolution" are trademarks of Blackmagic Design Pty. Ltd., registered in the U.S.A and other countries. Adobe Premiere Pro, Adobe After Effects and Adobe Photoshop are registered trademarks of Adobe Systems. Avid Media Composer and Avid Pro Tools are registered trademarks of Avid. Apple Final Cut Pro, Apple Motion and Apple Soundtrack Pro are registered trademarks of Apple Computer. Updated April 27, 2022.
https://w.atwiki.jp/vmware-linux/pages/15.html
インストール（vmware-player-CentOS on Windows） 前準備 NAT接続だけ有効にして、外部との接続を確保。 インストール時のオプションはベースシステムと日本語サポートのみ。 Vmwareには不要なパッケージ（初期状態だと383ものパッケージがインストールされている）も入ってしまうのでそれを削除する。 networkの設定（DHCPではなく固定IPで運用する） /etc/sysconfig/networkの編集 HOSTNAME=centos.vmware #これはお好きなように設定 GATEWAY=192.168.73.2 #defaultでは192.168.73.2がGATEWAYアドレスらしい /etc/sysconfig/network-scripts/ifcfg-eth0の編集 最初は DEVICE=eth0 BOOTPROTO=dhcp HWADDR=00 0C 29 A9 8B 3A ONBOOT=yes ぐらいしか書かれていなくてdhcpが有効になっているので 固定IPアドレスの設定に修正する。 DEVICE=eth0 BOOTPROTO=static HWADDR=00 0C 29 A9 8B 3A IPADDR=192.168.73.101 NETMASK=255.255.255.0 ONBOOT=yes と変更。あとは、 /etc/init.d/network restart で変更が正常に行われるかを確認する。 SSHなどで外部からログインしてみる このページに書いてあるとおりに付属のユーティリティでフォワードしてあげればよいらしい。 不要パッケージの削除 Deployment_Guide-ja-JP デスクトップ環境でのRed Hat Enterprise Linux Deployment Guide acpid APCI (PCの電力管理) のデーモン。 footnote(SpeedStep機能がついているノートPCでもない限りあまりいらない。ちなみに電源ボタンを押すとシャットダウンが始まるのはこれのおかげ。 anthy 日本語入力システム。本体コンソールから日本語を入力することが無いので不要。 apmd デスクトップ機で使用するので不要。(*1) aspell* スペルチェック用辞書。不要 atk GNOME 開発プラットフォームのモジュールの１つ(GUI) autofs ファイルシステムの自動マウント/アンマウント用ツール（USB-DISKなどのハードを追加する予定がないので削除） authconfig NISおよびシャドウパスワードのセットアップ用テキストモードツール avahi* LinuxにおけるBonjourの実装。不要。 bc コンソール上で数値計算を行うためのモジュール。不要。 bind* DNSサーバは構築しないので不要。 bluez-libs bluetoothは使わないので不要。 cairo GUI使わないので不要。 ccid GUI使わないので不要。 checkpolicy Selinux使わないので不要。 checkfontpath GUI使わないので不要。 conman ConMan-The Console Manager(リモートコンソール(conman)からの受付を行う) cpuspeed 常にAC電源を接続して使用するサーバー機には不要。(*2) cracklibs* パスワードの強度チェックツール。依存モジュールが多すぎて削除不能 cryptsetup-luks ファイルシステム暗号化のためのモジュール。 cupscups-libs 印刷サービスは今のところ使わないので不要。 dbus* デスクトップアプリ間の通信を担うモジュール。GUIを使わないので不要。 desktop-file-utils デスクトップ環境用ファイル操作のためのユーティリティ(GUI) dnsmasq 簡易的なDNSサーバを実現するためのモジュール。不要。 dhcdbddhcp*dhclient 固定IPでの運用を行うので、DHCPは使わない。 dos2unix DOS形式からISO形式へのテキストファイルの変換コマンド dosfstools FATファイルシステムの作成および検査用ユーティリティ ed 行指向のテキストエディタ eject CD-ROMなどの自動イジェクトツール elfutils-libelf RPMなどがいぞんしているので削除不能 finger 使用しないので削除 fipscheck FIPSを有効にしたモジュールの完全性検証のためのライブラリー？？？？なんのことかわからないが一旦削除 fontconfig X用フォントの設定とカスタマイズのライブラリとX用フォンと設定ディレクトリの作成ツール freetype フォントエンジンを実装したライブラリ(GUI) ftp gamin* yum-updatesdなどが依存しているので削除不能 gawk,gdbm 多数のモジュールが依存しているので削除不能 gettext gpm コンソール用のマウスポインタ追跡用。一旦削除。 gnu-efi EFI用のライブラリ、EFIは使わないので不要。 htmlview HTMLを見るfirefoxなどのソフトが利用するアプリケーション(GUI) iptstate リンクが確立しているIPの一覧表示（便利なので残す。） iptables-ipv6 IPv6も不要。（「system-config-securitylevel-tui」も削除される） irqbalance マルチCPU環境で2nd CPU以降も割り込み処理を行えるようにするデーモン。シングルCPUで運用するので不要。 jwhois jwhoisも使わないので不要。 libFS X.Org X11 libFS runtime library libICE X.Org X11 libICE runtime library libSM X.Org X11 libSM runtime library libjpeg jpegを扱うためのライブラリ libpng pngを扱うためのライブラリ libtiff tiffを扱うためのライブラリ libsemanagelibselinux-pythonlibselinux-utils Selinux使わないので不要。 mailcap メイルリーダやWebブラウザのようなMIME対応のアプリケーションが、異なるMIMEタイプのファイルにどのように反応するかを設定する。 mtools MS-DOSのファイルを操作するためのツール群 nfs-utilsnfs-utils-lib NFSは使わないので不要。 policycoreutilssetoolsselinux-policyselinux-policy-targeted Selinux使わないので不要。 ppp procmail procmailメール処理プログラム（sendmailに依存しているのでそれを削除しないと削除不能） quota ユーザのディスク使用量管理 redhat-menus デスクトップメニューの為の設定とデータのファイル(GUI) sendmail 広く普及しているメール転送エージェント(MTA)(mdadmを使用していなければ削除可能) setserial シリアルポートを設定するためのユーティリティ sos 開発者向けデバック情報収集ツール
https://w.atwiki.jp/mrfrtech/pages/111.html
Content Delivery Network Industry Insight The fast uptake and development of a content delivery network are progressively becoming a crucial component of any enterprise. Market Research Future predicts the potentiality of the global Content Delivery Network Industry 2020. It can achieve a high valuation by the year 2023. Such a high valuation will garner at a growth rate of 26.5% in the forecast years (2018 to 2024). The market expansion can be accredited to the escalating volumes of content being exchanged over the internet in line with the continued rapid network rollouts. Effective so lutions would be needed to ensure uninterrupted content delivery over a high-speed data network, mainly to cater to the growing demand for Video-on-Demand (VOD) and Over the Top (OTT) services. In fact, plummeting data costs coupled with rising affordability and accessibility of broadband and mobile network access are some of the other foremost factors anticipated to motivate the demand for content delivery network solutions. Request a Free Sample @ https //www.marketresearchfuture.com/reports/content-delivery-network-market-2796 Top Market Contenders The top market players of global CDN market are listed as Limelight Networks Inc. (US), Akamai Technologies Inc. (US), Tata Communications Ltd (India), CenturyLink (US), StackPath, LLC (US), Fastly Inc (US), Verizon Communications Inc. (US), CDNetworks Co. Ltd (South Korea), AT T Inc. (US), Amazon.com Inc. (US) and Comcast Corporation (US). Market Analysis MRFR also spotlights on the fact that the e-commerce industry is sprouting continuously in line with shifting consumer behavior. As such, CDN solutions are employed to ensure that consumers have access to all the content necessary to make an informed buying decision. CDN solutions are also employed aggressively to optimize delivery as consumers shift from conventional television to video content delivery. At the same time, the performance of digital solutions based on an IoT network across various industries is also prompting content delivery network providers to introduce customized industry-specific content delivery network solutions. The mounting adoption of advanced technologies, such as artificial intelligence (AI) and augmented reality (AR), are also opening opportunities to launch innovative content delivery network solutions in the future. All these factors are ready to contribute to the global content delivery network market in the forecast period. Furthermore, in countries, such as India and China, the fame of online gaming and the preference for digital marketing is escalating. The advances in technology, coupled with the rollout of smart cities and 4G network rollouts, are also encouraging opportunities to come into the market. On this line, large access providers and platform companies are pursuing integration initiatives to withstand the intense competition globally. As such, companies offering technology solutions are moving into content market space. The mounting population, coupled with the advent of new network technologies, is also motivating content consumption and content delivery network. The digitization of the media entertainment industry is particularly driving market growth to a great extent. Segmentation of Market Content Delivery Solutions The global content delivery solutions market has further been studied among segmentation, including segments of type, solutions, application, service providers, and vertical. By the segment of type, the market has included a standard content delivery network, video content delivery network. By the segment of solutions, the market has included media delivery, web performance optimization, and cloud security. By the segment of the application, the market has included network optimization, OTT streaming, analytics performance monitoring, and website API management. By the segment of service providers, the market has included traditional content delivery networks, Telco content delivery networks,, and cloud services providers. By the segment of vertical, the market has included retail e-commerce, media entertainment, BFSI, gaming, IT telecommunication, education, and others. Regional Outlook North America, Europe, Asia-Pacific, and the rest of the world are the key regions mentioned in the global content delivery solutions market’s regional analysis. Among these regions, the North American region is anticipated to lead the content delivery network market during the study period. The early adoption of IoT technology and smart devices such as Smartphones and smart TV in North America are some of the factors motivating the growth of the regional market. Furthermore, the incidence of technology leaders such as Verizon Digital Media, Amazon Web Services, Akamai Technologies Inc., and CenturyLink is likely to contribute to the growth of the content delivery network market in the region. The US, after Canada, leads the market in North America. The market in Asia-Pacific is also anticipated to occupy a significant share where China is likely to lead the market. Europe trails North America in the global content delivery network market. The Asia Pacific is forecasted to outpace all other regions by growth owing to enhancements in technology in emerging countries of the region. Table of Content 1 Executive Summary 1.1 Market Attractiveness Analysis 17 1.1.1 Global Content Delivery Network Market, By Type 17 1.1.2 Global Content Delivery Network Market, By Solutions 18 1.1.3 Global Content Delivery Network Market, By Application 19 1.1.4 Global Content Delivery Network Market, By Service Providers 20 1.1.5 Global Content Delivery Network Market, By Vertical 21 1.2 Global Content Delivery Network Market, By Region 22 Continued…. List of Tables Table 1 List of Assumptions 29 Table 2 Regional Data Transfer Out to Internet (Per Gb) 39 Table 3 Request Pricing for All Http Methods (Per 10,000) 40 Table 4 Global Content Delivery Network Market, By Type, 2020–2027 (Usd Million) 45 Table 5 Global Content Delivery Network Market, By Video Content Delivery Network, 2020–2027 (Usd Million) 47 Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/content-delivery-network-market-2796 List of Figures Figure 1 Market Synopsis 16 Figure 2 Market Attractiveness Analysis Global Content Delivery Network Market 17 Figure 3 Global Content Delivery Network Market Analysis By Type, 2020 (%) 17 Figure 4 Global Content Delivery Network Market Analysis By Solutions, 2020 (%) 18 Figure 5 Global Content Delivery Network Market Analysis By Application, 2020 (%) 19 Continued…. 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Table of Contents +... Table of Contents Introduction Version DifferencesFinalize Forms Main Objective Rock BusterBuster Pellets Charged Shot ShieldShield Recovery Shield Break Shield Break Recovery Charge Loss Summary Custom SystemCustom Gauge Custom Screen Breakdown Card Selection Lock-On AttacksLock-On Ranges Charge Cancelling Introduction The aim of this page is to give you a quick crash-course on the basic combat mechanics of SSR3. It s recommended to use a pre-made build for beginners when reading this page because you ll be able to play the game at a basic level relatively quickly. Version Differences There are two main differences between the RJ and BA version of the game Different Finalize forms. Exclusive Giga cards. Here are the exclusive cards for each version Black Ace Exclusive Giga Cards Image Card Name Description Wing Blade A three column jet attack which has a breaking property if used on the same column as the opponent. Also has extra additional attacks which can be inputted as his name pops up when used as a dimmer card. Pressing LLR will result in a 150 damage invis piercing sword attack which also has the break property. Pressing RRL will result in a 160 damage multi-hit shooting attack which pierces through any objects. Darkness Hole Deletes viruses under 250 HP and bosses/opponents under 500 HP. Thousand-Kick An extremely long multi-hit kick attack. Break Time Bomb Summons a highly damaging and tanky time bomb which also has the break property Mu Rejection A temporary buff allows you to regenerate a Mu barrier each time you move. It can be destroyed with attacks that have the break property Red Joker Exclusive Giga Cards Image Card Name Description G-Meteor Lazer A three-column, high-damage, multi-hitting lazer attack which also also pierces invis. In addition to that, it also has the ability to crack any type of panel and creates holey panels from already cracked panels. Destroy Missile Fires multiple missiles on any targets who are on normal panels. Buster MAX Temporarily maxes out the stats of the Rock Buster and also grants it a special ATK+ stat buff. Ox Tackle A high damage, one column breaking attack infused with the fire element. Dopple Mirror Summons a mirror which drains the HP of any target in front of it. You can go to the Battle Card Database for more in-depth information on these cards. Finalize Forms Black Ace Features - Element Null- Weakness None- Double Lock-On Damage- Airshoes + Floatshoes- Auto Lock-On- Buster MAX*- Quick Gauge- No Charge Shot Red Joker Features - Element Null- Weakness None- Double Lock-On Damage- Super Armor- Status Guard*- Buster MAX*- No Charge Shot ※Please make sure to read Red Joker s page to truly understand how status guard works. If you want to learn more about how both forms work, you can visit their respective pages Red Joker Black Ace ※The stats of the Rock Buster are different depending on which version of Buster MAX is used. There s a difference between the ability version of Buster MAX (from Finalize, Noise Cards and Warrior Soul and the Buster MAX (Giga Card) Buster MAX (Ability) = ATK 5 / RPD 5 / CHG 5 Buster MAX (Giga Card) = ATK 10 / RPD 5 / CHG 5 To learn more about the stats behind the Rock Buster and its customisation options, you should visit the following page Rock Buster Customization Main Objective The main objective of the game is to bring your opponent s HP down to 0 through various means or to win through the damage judge by being the player who has dealt the most overall damage throughout the 15 turns of a match. The next few sections will go over through the various means of achieving this objective. Rock Buster One of your most basic and important weapons in SSR3 which has far more uses than merely dealing damage to the opponent. There are plenty of ways you can use the Rock Buster and what s more, it can functionally quite differently when using other Noises or through customizing it with the help of Abilities and Noise Cards. Buster Pellets Whilst holding down the B button, Rockman will lift his arm and rapidly shoot at the opponent with small buster shots, also known as "buster pellets" or just "pellets" until you release the B button imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 From a glance, it may seem as though the buster pellets aren t much of a threat at first, they are still incredibly useful against certain types of Barriers as well as objects (with certain stats, which will be mentioned in the Customization page). Charged Shot You can also wait for a while for Rockman s buster to glow green, as well as hear a sound effect which indicates that the Rock Buster has finished charging. You can then press B to perform a Charged Shot imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Compared to a pellet, a charged shot (frequently referred to as CS) Inflicts more damage. Is a completely different attack for each Noise. It can be changed to a completely different attack through Noise Cards. It can be further customized to have certain properties added to it through Abilities Noise Cards. Shield By pressing the Y button, Rockman will create a shield imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 This will allow you to block many attacks and avoid taking any damage. If you also block something successfully, you can later on cancel the shield into any other action except the shield itself of course. You can cancel your shield after successfully blocking an attack at any time before the full shield animation itself ends imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 As shown in the above GIF, after successfully blocking the Freeze Knuckle, Rockman was able to cancel into the time-freeze battle card Quick Gauge (also known as a "dimmer") by pressing the A button. These are the actions you can cancel into after a successfully blocking with shield Movement Battle Cards Rock Buster Kawarimi So far shield sounds like a powerful defensive option, which it can be (especially when we introduce the Noise System), but it is a very risky move to keep spamming for many reasons. Shield Recovery While you can cancel shield into another action after blocking an attack successfully, if you shield without blocking any kind of attack, you will be stuck in Shield Recovery and can t move until Rockman fully recovers from this part of the shield animation. The shield will be no longer there to protect you, instead you re wide open for a punish with most battle cards, even slower cards if timed correctly imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 As you can see during the slowed down part, Rockman doesn t completely return to his regular position; this leaves him defenceless and unable to do anything to avoid the Stun Knuckle. Keep in mind that the timing to whiff-shield-punish with a Knuckle series card is extremely tight and that it s very easy to punish whiffed shields with faster cards. Shield Break Shields also cannot block attacks with the Break Property and there s quite a few cards with said property which can completely turn the tide of a match. Destroy Upper is one of those cards, it is a very slow attack with a break property that removes 5 status resistance related abilities (which are covered in the Customization page), here s an example of it in action imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 The opponent initially has status guard, but after hitting them with Destroy Upper, all of their status resistance abilities have been removed, leaving them vulnerable to all sorts of status effects which can be deadly. Destroy Upper itself is extremely slow and can be very easily avoided by simply dodging it with movement, making it extremely hard to land during a match. However, if constantly you spam shield in a predictable manner, Noises like Gemini will have an easy opportunity to combo you to death. Shield Break Recovery There s also another kind of shield recovery which can be more dangerous, and that s Shield Break Recovery. When your shield s broken by an attack with the break property, you are still stuck in the shield animation until it ends but without the protection from the shield itself. If you combine this with certain cards/resources, you can not only break the shield but also get bonus damage thanks to the shield break recovery. Below is an example highlighting this imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 The Strong Swing Mega Card is able to prevent the opponent from being in a blinking state (more on that later) thanks to its Wood element. Due to it being a time-freezing card, it s able to keep the opponent in place after breaking their shield and leaves them in a very long SBR (Shield Break Recovery) which nets you a juicy punish. Charge Loss As you may have noticed, after shielding the glow around Rockman s buster is gone, meaning a charge has been lost. This isn t too much of an issue but there are many situations where losing a charge can be quite disadvantageous. More of those situations will be covered in the Strategy Tactics section. While it may sound like blocking with shield is now pointless, it is still a very strong defensive option which allows you to block damage without having to use any sort of resource and there are quite a few situations where blocking with shield is useful Blocking slow and react-able attacks. Blocking a highly damaging attack based on reading the opponent (more riskier). Another important aspect of shielding which is closely related to damage is the fact that you can also prevent the opponent from gaining Noise, which will be covered later on this page. Summary So in to put it in summary Don t spam shield. Use it against slow and react-able attacks. Use it as a read IF you have a good read on your opponent s habits. Never ever shield on a Null Panel if your float shoes have been removed (more on this in here). If you re behind an object, shielding is more safer. Custom System You may have noticed this gauge on the top-right which asks you to press the L or R button once it s full Once the Custom Gauge is full and either player has pressed L or R, the turn will end and a Custom Screen will appear This is where you ll be selecting your cards from. The next sections will break down both the Custom Gauge and Custom Screen so you can have a good understanding of it. Custom Gauge The default speed of the custom gauge is usually 8-9 seconds, but it can be changed using the Quick Gauge and Slow Gauge battle cards Quick Gauge = 4-5 seconds. Slow Gauge = 12-13 seconds. While it may not seem like much at first, changing the speed of the custom gauge can greatly affect the match in many ways which you can read up-on in the General Strategies section. Another thing to note about the custom gauge is that when you are in any sort of stun, whether that s being in a flinch state or a paralyzed state, you cannot end the turn by pressing L or R until you recover from the stun. Custom Screen Breakdown 1) Card Image The image related to the card. 2) Card Name The card s name. 3) Card Element The card s element, for more info on other elements, see here. 4) Card Class The card s class. There are three different classes Standard Class A very common class of cards. The size of standard cards is quite small. Mega Class A class of cards which are a slightly larger than standard cards. They can overlap other cards on the custom screen. Giga Class The largest class of cards. They have a higher chance of overlapping other cards on the screen compared to the Mega class. White Card These cards can be of any of the three other classes, but they ignore some of the card selection rules which will be covered next. 5) Support Card / Single Use Overlapped cards which will give you the choice to either use them as a Support Card or as a Single Use card. 6) Damage Value Shows you the damage value of a card. 7) Attack Star Shows how many attack stars a card will have (the Customization section explains this more in detail). 8) Custom OK Button The button that is pressed once you have chosen the cards you want to use. Card Selection Now that the custom screen has been broken down, it s time to go over the card selection rules in the card selection screen. Most cards can only be chosen either horizontally or vertically However, there are quite a few exceptions to this rule and those exceptions are Identical Cards Copies of the same card will bypass the horizontal/vertical card selection rule as long as they aren t overlapped. For example, despite these two Giant Axes not being next to each other vertically or horizontally, they can still both be selected There s also no quantity limit when choosing cards that are identical in the custom screen, if you have five giant axes, then you can add all of them to your hand. White Cards These cards also bypass the card selection rules and can be added to your hand in conjunction with any other card if they don t overlap. If you have multiple White Cards, you can add as many of them as you can to your current selection as well. Here s an example card order you can create with White Cards Brotherband Brotherbands behave just like white cards in that they ignore the card selection rules (as well as function in a unique way, covered here) but they also cannot be overlapped by other cards SSS/MS also cannot be overlapped by other cards, but they work in a completely different way all together and you can read up on how they work here. Lock-On Attacks Whilst you have a battle card in your hand, press the Down button to activate Lock-On mode. Whenever an enemy steps into your lock-on range, a reticle will pop up around the target and if you press the A button, Rockman will dash up towards the enemy and attack with the battle card currently in your hand. imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Before further explaining how lock-on works, it s best to note the main lock-on types which will be focused on in this section will be the default lock-on and auto lock-on since they are the most effective and common types of lock-on. The other lock-on types will be explained in the Customization section. Lock-On Ranges This is the range of the default lock-on at the 3x5 range If the opponent is anywhere near the red-squares, whether that s through a lock-on attack, a normal attack which moves them forward or by simply being stationary, then you will be able to lock on to them. For example, in this instance This is where the opponent is currently on the lock-on range map that was shown earlier In PvP, you can also target people diagonally if both you and the opponent are on the opposite corner However, at the 3x5 range, you cannot target the enemy diagonally with lock-on if they do an attack that makes them take one step forward When Area Eater is used to close the gap, the lock-on range stays consistent with the above image. For example, if the area is reduced to 3x2, then your default lock-on essentially becomes a manually toggle-able auto lock-on due it targeting anything that s 1 square in front of Rockman. If the area is reduced to 3x3 or 3x4, then Rockman s lock-on range will cover the small little gap where he wasn t able to target the enemy with his lock-on as shown in the 3x5 lock-on gif. This makes the default lock-on more consistent and effective, since locking-on to your opponent diagonally from the side is now guaranteed. The range of auto lock-on is pretty self-explanatory. It will lock-on to the enemy wherever they are and it s very consistent. Charge Cancelling
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【登録タグ A Nana Takahashi Romantic Children SOUND HOLIC プラスチックマインド 怪 -KAI- 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/metalmetabo/pages/30.html
- visitors Metabolic pathway analysis of enzyme-deficient human red blood cells T ÇakIr, CS Tacer, KÖ Ülgen - Biosystems, 2004 - Elsevier http //scholar.google.com/scholar?q=related 8w1qIgoYqGcJ scholar.google.com/ hl=ja as_sdt=2000 Five enzymopathies (G6PDH, TPI, PGI, DPGM and PGK deficiencies) in the human red blood cells are investigated using a stoichiometric modeling approach, ie, metabolic pathway analysis. Elementary flux modes (EFMs) corresponding to each enzyme deficiency case ... Reconstruction of metabolic networks from genome data and analysis of their global structure for various organisms oxfordjournals.org [PDF]H Ma, AP Zeng - Bioinformatics, 2003 - Oxford Univ Press http //scholar.google.com/scholar?q=related SuHZgSLeNw8J scholar.google.com/ hl=ja as_sdt=2000 Page 1. BIOINFORMATICS Vol. 19 no. 2 2003 Pages 270–277 Reconstruction of metabolic networks from genome data and analysis of their global structure for various organisms Hongwu Ma1, 2 and An-Ping Zeng1,∗ 1GBF ... Elementary mode analysis a useful metabolic pathway analysis tool for characterizing cellular metabolism CT Trinh, A Wlaschin, F Srienc - Applied microbiology and biotechnology, 2009 - Springer http //scholar.google.com/scholar?q=related hkaWpJnxK5QJ scholar.google.com/ hl=ja as_sdt=2000 Abstract Elementary mode analysis is a useful metabolic pathway analysis tool to identify the structure of a metabolic network that links the cellular phenotype to the corresponding genotype. The analysis can decompose the intricate metabolic network comprised of ... Extreme pathway analysis of human red blood cell metabolism nih.gov [PDF]SJ Wiback, BO Palsson - Biophysical Journal, 2002 - Elsevier http //scholar.google.com/scholar?q=related hVaLEfzPgSEJ scholar.google.com/ hl=ja as_sdt=2000 Constraints-based models regulation of gene expression reduces the steady-state solution space MW Covert, BO Palsson - Journal of theoretical Biology, 2003 - Elsevier http //scholar.google.com/scholar?q=related o9VRtN2gAKQJ scholar.google.com/ hl=ja as_sdt=2000 ... Biol. 203, 249, 283. 26. CH SCHILLING, S. SCHUSTER, BO PALSSON and R.HEINRICH, Metabolic pathway analysis basic concepts and scientific applications in the post-genomic era. Biotechnol. Prog. 15 (1999), pp. 296–303. ... The JAK-STAT signaling network in the human B-cell an extreme signaling pathway analysis nih.gov [HTML]JA Papin, BO Palsson - Biophysical Journal, 2004 - Elsevier http //scholar.google.com/scholar?q=related myiNLachV-QJ scholar.google.com/ hl=ja as_sdt=2000 From genome to cellular phenotype—a role for metabolic flux analysis? A Cornish-Bowden, ML Cárdenas - Nature Biotechnology, 2000 - nature.com http //scholar.google.com/scholar?q=related Q1z877WO_uAJ scholar.google.com/ hl=ja as_sdt=2000 ... whether a bypass exists within a complex network. Metabolic pathway analysis aims to identify indispensable enzymes, thus predicting the effects of their deletion or inhibition. Flux analysis should also allow the determination ... On-line metabolic pathway analysis based on metabolic signal flow diagram H Shi, K Shimizu - Biotechnology and bioengineering, 1998 - interscience.wiley.com http //scholar.google.com/scholar?q=related wjDdrq_SGcQJ scholar.google.com/ hl=ja as_sdt=2000 Abstract In this work, an integrated modeling approach based on a metabolic signal flow diagram and cellular energetics was used to model the metabolic pathway analysis for the cultivation of yeast on glucose. This ap- proach enables us to make a clear analysis of the flow ... Metabolic pathway analysis of recombinant Saccharomyces cerevisiae with a galactose-inducible promoter based on a signal flow modeling approach S Jin, K Ye, K Shimizu - Journal of Fermentation and Bioengineering, 1995 - Elsevier http //scholar.google.com/scholar?q=related 0uzMsbsJrXEJ scholar.google.com/ hl=ja as_sdt=2000 The objective of this work was to develop a signal flow diagram-based modeling approach proposed by Endo et al. (1976) to organize the network of complex metabolic reactions occurring in the living cell, employing directed signal flow diagram in which the enzyme reaction ... Energy balance for analysis of complex metabolic networks nih.gov [PDF]DA Beard, S Liang, H Qian - Biophysical journal, 2002 - Elsevier http //scholar.google.com/scholar?q=related wcAvs5fp3FgJ scholar.google.com/ hl=ja as_sdt=2000
https://w.atwiki.jp/2dogsdemosoft/pages/20.html
update：(Fri) July 17th 2015 (Japan time)｜Visitr total - today - yesterday - ｜ Posted by Mika Iwamuro (tottorimiyagi, mii) 白い犬リーちゃんを探しています [Please help us find missing white dog. Please Share and Spread The Truth.] We are looking for missing white dog named Lee-chan, she was lost at Arahama-district Sendai-city Miyagi-prefecture Japan, after the Earthquake. Thank you so much for many help. (Fri) July 17th 2015 (Japan time), the white dog Lee-chan is still missing. Please eyewitness information. About 4 years ago, after the Japan Big Earthquake and Tsunami (March 11th 2011), Several Major Medias reported false rescue story "both dogs were rescued by an animal rescue (off road bikers)". But in fact Brown tan dog named Mei-chan was rescued by her real owner Mr. Okubo on March 18th 2011. When Lee-chan (white dog) was not there. In fact The white dog has been missing since March 14th 2011. Even now, their real owner just hope that he will meet his white dog again. I think that there are many possibilities. I thought there is possibility that Lee-chan is dead. But there is possibility that Lee –chan is alive! Maybe Lee chan was rescued by overseas people, and carried somewhere. Maybe Lee chan was rescued neighbor and she is alive, and neighbor does not have Internet, so neighbor does not know that the owner is looking for Lee chan. There are several possible. I want to try all means possible to find Lee-chan. Youtube movie Mei (one of two loyal tsunami dogs in Japan) eat food, filmed by Mika http //youtu.be/Mjn6O4Lf_yE Feature of the missing dog Name Lee (Lee-chan, ‘chan’ is Japanese honorific.) English setter Female Large dog Totally white on her body Her ears are right brown She has gray spotted around her nose Then she had silver chains around her neck Then 8 years old (Now 12 years old) Then not spay Then not microchipped Gentle Friendly When Last Seen 4 years ago, Monday March 14th 2011 about 7 am, a photo of Lee-chan was taken by Takuya Imai who is a cameraman of Nikkei newspaper, near the place dogs filmed by Fuji TV. And March 13th 2011 about 4-5 pm, Lee-chan was filmed by Fuji TV crew. Where Last Seen Nearby 円庵(まどか庵 Madoka-Ann which was light meal shop.), near the Sendai Municipal Arahama Elementary School, in Arahama, Wakabayashi-ku, Sendai-shi, Miyagi-ken, Japan. Nearby Miyagi Prefectural Road137, Arahama-Haranomachi Line in Japan. MAP： Image of Lee-chan (filmed by Fuji TV at March 13th 2011 about 4-5 pm.) Image of Lee-chan (this photo is taken by Takuya Imai who is a cameraman of Nikkei news paper, at near by Madoka-Ann, on March 14th, 2011. about 7 am) Madoka-Ann was the place where the dogs filmed by Fuji TV 津波で倒壊した家に残る犬（14日午前、仙台市若林区）＝写真 今井拓也 A dog stay with a house which was collapsed by tsunami (March 14th, 2011. Morning, Arahama) = The picture by Takuya Imai When these dogs filmed by Fuji TV on March 13th 2011, 4-5 pm, white dog (Lee-chan) laid herself down on the ground, but next morning Lee-chan stood up by herself in Nikkei photo. Their real owner said “This dog of the photo is Lee!” Do you know someone who had been in Sendai around March – April 2011? 4 years ago, actually, PETA Asia, HSI, Kinship Circle, other foreign cameramen, human rescuers had been in Sendai at that time, but I don’t know other foreign people. If you know, please tell them this info please tell me. I think that there is possibility Lee-chan was got by overseas people, and she was adopted to far from Sendai Japan, but those rescuers might believed in false rescue report and they have not look for the real owner. Or they might did not notice that Lee-chan is same dog as one on TV, or might did not know about these dogs at the beginning. Pattern on Mei-chan (brown tan dog) is so characteristic, but there are many dogs like Lee-chan (white injured dog). If anyone have the info on the missing Lee-chan (white female setter), whoever please tell me (Mika Iwamuro) via Email twodogs_tottorimiyagi_mii3328@yahoo.co.jp I was not able to read and write English until Jury 2011, I started to learn English from July 2011, so I late to ask foreign people about this matter. Too much time passed from the earthquake, but I their real owner cannot give up searching Lee-chan. Please help us. URL of this page：http //www18.atwiki.jp/2dogs/pages/92.html Tiny URL of this page http //p.tl/rLFD If you access this page from your cell phone, then often 403 error occur. In that case, would you please access this page again after a short interval, and you can watch this page. ●Nippon SPCA, Ms. Akiko Fujimura said She received an information that a person looked Lee-chan in Arahama Elementary School, on March 17th 2011, but I have not heard detail. imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (荒浜小学校 2011年3月21日 カット.JPG) Above image Arahama elementary school about March 21st 2011. Madoka-Ann(Madoka-Arahama) was in back of the dogs in Fuji TV video. (Now, Madoka-Ann is not there, because it was torn down around November 2011.) Before the earthquake Madoka-Ann http //r.tabelog.com/miyagi/A0401/A040103/4010137/dtlrvwlst/1752399/4178357/ After the earthquake Madoka-Ann (Madoka-Ann was around 50 second in this video） http //www.youtube.com/watch?v=wIUn52aZ1Ko feature=related There is ken-do 137 (137 Prefectural Road) just in front of Madoka-Ann, Lee-chan was last seen by Nikkei cameraman near there. Japanese Self Defense Force, or police, or Firemen, or other, they had marked after search survivors. March 17th 2011, someone marked on Madoka-Ann. But we have not known who marked this, even though we have searched who is this. ■We have inquired about Lee-chan to several organizations. ●May to July 2011, their real owner Mr. Okubo had visited the Sendai Animal Control Center several time, but a workers said that white setter like Lee-chan has not been in there. ●In September 2011, I reported it the police and the Self-Defense Forces in Miyagi-prefecture Japan. They said “we wish white dog will be found” “I wish the best, please tell the owner ” But till now, they have had no information of Lee-chan. Since after March 19th 2011, every Saturday and Sunday, Madoka-Arahama staff had been to aroud this place, but they have not seen white dog. Until now, I have inquired about white setter to several animal rescue group, Minasigo-kyuuen-tai, Angels shiga, Animal Friends Niigata, Heart Tokushima, PETA Asia, these 5 group were searching for the two tsunami dogs in Sendai-city Japan around March 14 – 15th 2011. But they said “We have not seen white dog or brown tan dog”. Also I asked dogwood and UKC JAPAN, but they have not seen the white setter. January 2012, a staff of fire fighting team in Miyagi who asked other members, their family, 500 people, about white dog. But, unfortunately, they have not seen white dog, but I think we could close Lee-chan one step. We continue to search for Lee-chan. March 2012, I asked Kahoku news paper and Sankei news paper, because they reported about Arahama-district Sendai-city, but they have not seen white dog. I inquired of Gifu, Okinawa, Aichi Self-Defense Forces, because some of them had been in Sendai, but they have no information. I inquired of Metropolitan Police Department in Tokyo, if they had seen the white large dog, because some of them had been in Sendai, but they said that “It is hard for us to find the members who had been in Sendai at that time, because too many member went to disaster area.” July 2012, I inquired of Animal Peace Miyagi, they are so kind, but they have no informatin about Lee. August 2012, A-cube Miyagi said that they have no information. I have inquired of 14 animal rescue groups and other about 15 facilities in Japan, if they saw white dog, but 9 groups said “We were told that both dogs were rescued.” And most of other people did not know these dogs from the beginning, and only one group Animal Friends Niigata, Isabella said “NO proof of their safe, NOTHING.” around October 2011. August 2012, 2 groups said “We thought both dogs were rescued”, September 2012, one group said same thing. Around August 2012, I inquired of Ashlay Fruno and PETA Asia, Ashlay has not replied me, but PETA member replied me, but they didn’t had the information of Lee. Around February 4th 2013, I inquired of HSI and Kinship Circle and ASPCA, about Lee-chan, HSI replied me but they don’t have the information of Lee-chan. Kinship Circle and ASPCA have not replied me yet. Even now(March 10th 2013), rumors and major media s wrong report are hindering us from searching for the white dog. ■Is this Lee-chan? information(all in Japanese) Update (Thu) February 18th 2013 I have received many information about white setter from many people, thank you so much!! http //41.xmbs.jp/poyacchio-19056-n.php?guid=on plist=0 I have added everyone’s information on above Link ■Missing Dog Poster (up date February 24th 2013) Poster Missing white tsunami dog Sendai Japan leechan0314demosoft.PDF Do you know if someone has seen the white large dog in Sendai Japan, since after March 14th 2011? Several news said that many foreign human rescuers, animal rescuers, cameramen had came to Sendai Japan, since March 12th 2011. We believe someone has seen Lee-chan. Please ask your friends if someone has seen white female setter from Sendai Japan. Timeline Detail March 11, 2011. When the tsunami came, the moment their real owner Mr. Hisato Okubo heard the tsunami warning, he turned his home, and he took his two dogs(Mei and Lee) and took refuge to the fives floor in Elementary School. Soon after that, his house and his cell phone were washed away by the tsunami. ______________ March 12, 2011. Mr. Okubo joined the volunteer fire department, a man told him "There is some dog food for a week-10 days in Elementary School.", so he left two dogs in the Arahama Elementary School, and he went to the work of the Volunteer fire department to help other people. Until March 12, 2011, the two dogs were chained in Elementary School, but it seems that someone lost the chaine... _______________ March 13, 2011, 4-5 pm Two dogs were filmed by Fuji TV crew. And Fuji TV reporter Mr. Yamashina and other crew did not rescue the two dogs. And they left two dogs behind. Mr. Yamashina and other TV crew have NOT called a vet or other rescue. (I heard this information from Mr. Yamashina on the phone, in early October 2011. Mr. Yamashina is a reporter of Fuji TV.) _______________ (Mon) March 14, 2011, about 7 00 am. A picture of white dog was taken By Takuya Imai, he is a cameraman of Nikkei news paper, near the place where dogs filmed by Fuji TV. ______________ (Mon) March 14, 2011, about 9 40 pm. Two dogs were aired on Fuji TV. And these two loyal tsunami dogs became famous all over the world via youtube. So many people were concerned about these two dogs, and posted "help these dogs! Why did not Fuji TV crew rescue these dogs?" everywhere. _____________ (Tue) March 15, 2011. False rescue rumor started on Facebook. _______________ (Wed) March 16, 2011. Many Japanese/overseas blogger posted on their blog "two dogs were rescued by off road bikers!" without confirmation of fact. The rumor spread like wildfire. ______________ (Thu) March 17, 2011. Fuji TV(Japanese major media) reported false rescue story “Two tsunami dogs were rescued by an animal protection group. White injured dog is receiving a drip infusion treatment.” without confirmation of facts. There were NO rescued dogs, and were only stray dogs, on Fuji s rescue report. At (Thu) March 17th 2011, Fuji TV crew NO ONE has seen these two dogs were rescued, they have only heard a rumor. In fact white setter named Lee has been missing since March 14th 2011. ___________ (Fri) March 18, 2011. Their real owner Mr. Okubo rescued Mei (brown tan dog) in elementary school where near the place where dogs filmed by Fuji TV. But Lee (white dog) was not there. There after, Mr. Okubo and his family have been looking for Lee frantically. At that time, Mr. Okubo had not known that his dogs were aired on the TV around the world. Intently, Mr. Okubo his family have been looking for Lee frantically. ___________ March, 2011. Several Major medias reported false rescue story "both dogs were rescued by an animal rescue." around the world. Fuji TV(Japan), CNN, NPR, TYT, CBS, ABC(America), UK telegraph, ITN(England), Apple Daily(Hong Kong), Russian TV, more, Several major medias reported false rescue “Two loyal tsunami dogs were rescued. Happy ending!” without confirmation of facts. But in fact, white setter named Lee-chan has been missing since March 14th 2011. Of course, there were NO film/pictures of after dogs were rescued, on their report. There were only stray dogs, on their report. But even now, March 10th 2013 major medias still have NOT corrected their wrong reports. So many many people still believe that Japan two loyal tsunami dogs were rescued by bikers. Even now (March 10th 2013), rumors and major media s wrong report are hindering us from searching for the white dog. Major medias reported false information, and they are hindering us from searching for the white dog, but major media still have NOT corrected their wrong reports. A man said "Major media make money by publishing stories people want to know. It is not about the truth. false rescue was a good story." Do you want FAKE good story? I NEVER want to know any lies. I always want to know the TRUTH. I and many Japanese requested Fuji TV to correct their wrong report, but Fuji has never replied us. Maybe, if Fuji TV reports the truth (white dog is still missing), then Fuji TV lose their popularity and Fuji lose the benefit. So Japanese medias have not reported the truth. Late in July, 2011. Fuji TV reporter Mr. Yamashina visited Mr. Okubo s house. Then Mr. Yamashina actually saw Mei (brown tan dog) and made sure that Mei is the same dog aired on Fuji TV. Mr. Yamashina told Mr. Okubo "There is a rumor that a dog was rescued by a man who lives in Chiba-prefecture." Mr. Okubo and his family said "If that man has Lee (white dog), we want him to return Lee to us." But as everyone know, rescue story is false rumor…. September 8th, 2011. I phoned the two Mr. Okubo on September 8th 2011, for the first time. I heard Okubo s voice, I was moved by the sad voice in which the Mr. Okubo spoke "white dog is still missing". I repented, I should have noticed false rumor. If I/other people noticed Media’s false report earlier, Lee-chan might was found long time ago. September 14, 2011. Mr. Harigaya visited Mr. Okubo’s house on September 14th 2011, for the first time. When Ms. Akiko Fujimura (the Nippon SPCA founder) went to the Mr. Okubo’s house with Mr. Harigaya. Akiko Fujimura met Mr. Okubo on September 14th 2011, for the first time, too. They actually saw brown tan dog. Thanks to everyone s efforts, thank you 2 channel users, thank you Global Animal and GA readers! Thank you Mr. Harigaya! If it were not for GA reports and GA reader s comments, and 2 channel user s posts, and Mr. Harigaya s advice, I could not contact their real owner. November 1, 2011. Akiko Fujimura published Mei-chan s photos and two dogs s story, via Hachiko Coalition facebook page. UPDATE JAPAN One Loyal Tsunami Dog Found http //www.globalanimal.org/2011/11/01/update-japan-one-loyal-tsunami-dog-found/43001/ November 3rd, 2011. APF news Farm Sunctuary Farm of Hope ~Fukushima~ Official BLOG Kurumi-chan and Lee-chan (Copied and translation) http //www18.atwiki.jp/2dogs/pages/57.html Their real owner Mr. Okubo just hope he meet his white dog named Lee again! The owner had not has any Internet environment since the earthquake, so we have been supporting to search for Lee-chan. Lee-chan (white injured dog) and Mei-chan (Brown dog) attracted the people s attention to many victim animals, all over the world, and they rescued many animals. So... Let s repay their loyal. Let s reunite with Lee-chan (missing white dog) her real owner Mr. Okubo Mei-chan (safe brown dog). Do you know someone who got white dog from Sendai Japan? The real owner of Japan Two Loyal Tsunami Dogs, Mr. O described how he felt [1] http //www52.atwiki.jp/2dogswiki/ [2] The real owner of Japan Two Loyal Tsunami Dogs, Mr. O described how he felt http //www52.atwiki.jp/2dogswiki/pages/15.html Please tell me your information about white femal setter from Sendai Japan. Mika Iwamuro (みぃ@meba、tottorimiyagi、mii3328) E-mail twodogs_tottorimiyagi_mii3328@yahoo.co.jp Or lee_chan0314@yahoo.co.jp Even if someone has seen dead white dog in Sendai Japan, please tell me. Sorry to ask this of you when you are busy, but I hope your help. Also, Farm of Hope and Nippon SPCA are still looking for Lee-chan. Farm of Hope [M Farm] http //fukushima-farmsanctuary.blogzine.jp/blog/2011/11/post_f7ab.html kibouno.bokujyou@gmail.com Nippon SPCA http //www.nipponspca.com/ info@nipponspca.com Youtube｜mii169686 (Mika Iwamuro) http //www.youtube.com/user/mii169686 (There are the movie of brown tan dog named Mei-chan) Facebook｜Mika Iwamuro http //www.facebook.com/photo.php?fbid=420833198002550 set=a.371098812975989.90415.100002276214962 type=3 theater (Please share about Lee-chan) Twitter @tottorimiyagi http //twtr.jp/user/tottorimiyagi (Please RT about missing white dog)